Pink floyd which one pink vh1

Too late to get in on the action, but there's some interesting questions and answers, including the truth behind the Enigma! The next two showings will be on Wed, Jan 23 at 2am and on Fri, Feb 1 at 9pm. Check it out if you can! There has been no official press release by Sony , so no word as to whether or not it will include the same footage used in the 1 hour broadcast on Music Choice back in February of this year. You can preorder your copy here at CDNow , who has the release schedule for Dec.

Just in time for Christmas! There are currently no future plans for Pink Floyd to tour together or as a group under this name again. Their recent comments are not very positive for fans wishing this to materialize.

But I lack confidence we will ever see the band touring the world again or creating new music together as Pink Floyd like we last observed in However, this does not mean we can no longer enjoy them. The catalog Pink Floyd created is enormous and we still have their solo careers to follow, which are once again becoming very active!

Roger Waters, David Gilmour and Richard Wright have all stated in their own words recently they are working on new material! Storyline Edit. Add content advisory. Did you know Edit. User reviews Be the first to review. Details Edit. Release date January 13, United States. Gay Rosenthal Productions. Technical specs Edit. Runtime 43 minutes. Contribute to this page Suggest an edit or add missing content.

Edit page. There'd be the people in the studio who knew what was going on, and then there'd be, ah Nick Mason: But I think um I think funnily enough, I have no memories at all of any sort of anxieties from EMI. TV: So they I mean, looking back at it, approval. It was approved. TV: Ok, another Floyd track. Another Brick In The Wall. He's the drummer and a founder member.

You've always been expansive in what you do, in performance. I mean, Floyd is very much a performance as it is the music, and the two are so integrated. You ain't gonna see Pink Floyd in a small venue. I'd really like to, but I don't think it would be achievable anymore.

Now it is a stadium act, and it's a stadium act to perfection. How did you ultimately get to that, because that must have Because when you went for it, you went for it. Nick Mason: I think some of those early shows were done without mountains of equipment, but they were sort of setting the idea of how we would like to work.

Where these shows A support band, first of all, has a tendency to take a lot of time changing equipment, or they have to go down in orchestra pit or something horrible like that, or they're terribly good and blow you off the stage, or they're terribly bad and the audience are pretty bad - tempered by the time the next band get on But the business of, of the sort of lighting I suppose I think there was probably a point at which we had to dump these lights because we simply cannot get projectors sufficiently large enough to do the sort of venues we were looking at, and we started looking at stage lighting.

TV: This is really the point of the fact that there wasn't a member of the band who didn't have foresight or vision You ah Nick Mason: Er I think there are I'm not sure I I think it was probably, probably doctor, that we just weren't comfortable with sort of trying to do duck walking about the stage a la Chuck Berry, you know Nick Mason: For us, and we were looking at other ways of sort of making a show without having to sort of jump about I'm trying to think of the critical elements that make But I suppose the most important moment were the Dark Side shows in '73 when we started making film specifically for the shows, and that was an expensive exercise, and a commitment to a different They were entirely about the audience seeing an image.

TV: Mm, on the big circular screen at the rear. Nick Mason: Right, yes. TV: Back to the music. This is live at Earls Court, the track is High Hopes. My guest is Nick Mason from the Floyd. When was the last time you listened to the whole album, on headphones? Nick Mason: On headphones? Yes, that's the last time I can think of on headphones. But it's not, sadly for me, one of those great experiences, because you're so conscious of things that are not quite right or maybe should have been altered or whatever.

TV: Things you would have done differently, liked to change? Nick Mason: Yeah, yeah, yeah. I mean TV: Every artist says that, don't they? Anybody who's in the creative business always goes "if only I put that brush stroke there, or It's a difficult situation. But when you listen to it objectively, if ever you can, do you ever think "I know why it sold billions of albums and stayed in the charts for ever"? Nick Mason: No, and I don't think there is a specific key.

I think yet again it's that business of there is no one key, you need this whole great jangling ring of keys to make it happen and certainly I think there's some very strong ideas in the record.

I'm very proud of it. I think everyone involved in it did their best - there's great engineering from Alan Parsons, there's great mixing by Chris Thomas, there's lyrics from Roger, great playing by Dave and so on. But there's other elements that are important Storm Thorgerson played a part in the success of the record. It is of course the sound of the thing but the reality is that people saw it in the shops and were fascinated or interested or whatever by what was on the cover, and probably hopefully like what was inside.